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Pursuing the heavy success and of "Hasta el viento tiene miedo", horror director Carlos Enrique Taboada achieves an equally engaging horror story with 'El Libro de Piedra'. In this case, Taboada works with Marga Lopez and Norma Lazareno again, but playing completely various roles. Mrs. Lopez is not a strict school headmistress and she becomes a sweet and delicate governess. On the other hand, Norma Lazareno is not a naughty student anymore and she becomes a reluctant stepmother, who hopelessly tries to victory her stepdaughter affection. Offering a sinister story that deals with a troubled small girl, this movie includes a nice amount of attractive shots and landscapes, that in some cases, surpases the dialogs and the characters. In 'El Libro de Piedra', a sweet governess named Julia Septién, is hired by a wealthy man to take care of his young daughter, named Silvia. As soon as the governess arrives to the mansion, she finds out that Silvia is mentally troubled. However, Julia demonstrates her courage and willingness to support the child, and she decides to stay to take care of her. Mrs. Septién manages to victory Silvia's affection and the bond between the two of them grows stronger each day. However, the relationship between Silvia and her stepmother, Mariana, becomes extremely hostile and Mrs. Septién, hopelessly tries to fix this. Silvia, on the other hand, finds her affection on a statue of a boy named 'Hugo', as she calls him. It first, Julia seems amused by the idea of the imaginary friend, but as the days go by, she realizes that there is nothing amusing whatsoever. Silvia's obsession with Hugo becomes disturbing to everyone and Julia starts to fear that the kid might be involved in black magic and the hostility between her and her family, is not exactly a amazing sign. Coping with a few unnoticeable editing mistakes, this Gothic horror masterpiece, manages to be entertaining the whole time. I like to think of it as a dark Gothic drama, with some mellow winks here and there and a final stage that erases all the mellowness with a sudden slap. Most Gothic lovers are going to appreciate "El libro de piedra" for the beauty and yet simplicity of the imagery and the situations. The interface between Mrs. Septién, the governess and small Silvia, is perhaps one of the most appealing characteristics of this film, in which a small girl is basically measured as a creature by everyone. A girl who is feared by everyone at a tender age and yet, there's someone who manages to reach her heart, creating a loving bond and realizing that small Silvia is a sweet girl deep down, no matter how hard it is to see that. "El libro de piedra" causes ambiguous reactions, because in the end, it is not very clear whether if Silvia is pure evil or if she is merely a saddened and helpless soul who ends up devoting herself to a dark supernatural strength in order to search some company
Everytime I'm trying to listen to present doing something with a say that audio is completely unavailable I don't know why I wish to loan if you can fix the issue because I've been trying and trying daily and the same thing happened they audio do is completely unavailable
Aprendo mucho de las leyes de immigracion,me gusta escuchar a todo este equipo de eriamos tener mas programas de radio y Tele asi.Aparte de reir mucho,aprendo muchas cosas nuevas cada dia,La muchacha en esta estacion es bien simpatica y TODOS en esta estacion son muy riba campiones.
Saludos desde Kansas Town Piolin, Gracias a Dios que bendice tu vida, me gustaría si puedes pasar la voz que acá en Kansas vamos a tener un Evento bien suave para los Jóvenes, este proximo Sabado y Domingo, viene desde Monterrey un amigo nuestro Gustavo Falcon, estamos para servir a nuestra comunidad en todo lo que se pueda, somos Iglesia Evangelica Siloe.....Saludos y Bendiciones
Amazing film about children's globe and believes with magnificent Fernando Fernán Gómez and really amazing performance from Ana Torrent. The script is *really* amazing and depicts beautiful well a scene in Spanish countryside life after the civil war. A must to be seen.
Most Latin American people are familiarized with those Mexican soap operas that are overflowing with baseless action and pitiful situations. They're undeniably amusing and it's all right to watch them if you're too bored and you wish to have a amazing laugh. However, it's not funny anymore when you really trust an old Mexican Gothic horror movie and you search one or two similarities between those ridiculous soap operas and the film you wanted to see. Firstly, I would like to say that I do not mean to be rude to anyone with this review. I know Mexican people are very nationalistic and they tend to stand up for their movies a lot. I understand that and to be honest, I actually really have fun Mexican horror movies too. That's the reason why I was somehow disenchanted when I found out that "El Espejo de la Bruja" was not exactly as amazing as I was expecting. The movie sets in motion with a very well done introduction to the main characters, a attractive woman named Elena and her godmother, Sara (also known as… The Witch!). The view is quite stylish and atmospheric. Both characters look darkly attractive and yet naïve somehow. In this opening scene, Elena becomes aware of a very shattering truth about her approaching fate, through the magic mirror that belongs to her godmother. Unfortunately, this depressing reality cannot be altered, since all judicious witches know very well that the itinerary of life, is not meant to be disrespected. Broken-hearted and clueless, Elena has no choice but facing the reality and becoming a victim of her atrocious fate. As it was stated previously, all bright witches know very well that fate is not meant to be changed, however, there are no laws aligned with revenge. In "El Espejo de la Bruja", we see a resented woman trying to create justice and claim for the blood of those who harmed her goddaughter. Sara is the witch and when witches are good, they're very good, but when they're bad…. It would be unfair to say that "El Espejo de la Bruja" is only laughable and overwhelming when it comes to making a reasonable balance. My only issue is that there was a small bit too much action for my taste. During the first half an hour, it is like the audience has nothing else to see, but there's still more and more and more. All of a sudden, a dramatic Gothic horror tale turns into "Re-Animator". The poor thing is that the humorous situations are not exactly intentional. Armando Calvo's performance is perhaps one of the worst in this movie and his facial expressions are merely side-splitting. The rest of the cast is all right, but the issue is that Mr. Calvo looked over the top all the time, which is a tragedy, considering that he's the leading male character. Then, there are all these scenes in which we see Rosa [email protected]#$%! hero wearing some kind of huge bandage that covers her entire face, with the two small holes for the eyes. That is perhaps one of the most hysterical photos ever and I'm not just talking about this particular film. It resembles the invisible man, but wearing a delicate night gown. "El Espejo de la Bruja" is full of action, which can be entertaining for moments and overwhelming for others. It has a few amazing things that create it enjoyable for all horror fans, for example, the already established but still welcomed clichés like: owls, dark shadows of Satan, lots of fire, graveyard scenes, phantasmagorical silhouettes and of course...black cats!. Overall, an okay flick, but I still think I'm not the only one who lost interest during the latest minutes, ironically due to the overindulgence of action. If you're in the mood for a amazing Mexican Gothic horror film, rent "La Maldicion de la Llorona" instead.
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