New Mutants by Zeb Wells: The Complete Collection (New Mutants (2009-2011)) Reviews & OpinionsSubmit New Mutants by Zeb Wells: The Complete Collection (New Mutants (2009-2011)) review or read customer reviews:
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The best thing about this book is that it focuses on the motivations behind career change because no one makes a major change such as this for the same reason as another. There are obviously a lot of books on career change, but I haven't seen one written quite this way and I appreciated the originality and the insights.
Having been a stay at home mom for some time now, I have been attempting to forge a new career path for the past few months. Despite endless hours spent brainstorming and searching, I had made no real progress in this journey. Then a friend suggested I read New Job New You. Although I had already read other related self help books, I really respect this friend's opinion and so I gave it a shot. I finished this book in two nights and can honestly say that it was the most insightful, informative, well written book of this type I have ever read. And bottom line is that because of this book, I now know what I want to do and have already begun to implement my career reinvention. While reading this book, the proverbial lightbulb went off in my head and all of a sudden the answer came to me. The writing is excellent; the information is straightforward, and the book truly accomplishes all that is sets out to do. I can't thank this author enough for guiding me in such a profound and substantive way.
thought the chapter about setbacks was helpful but generally, I thought the foreword by Stephen Covey overpromised, also it seems mostly about case studies of people who weren't that interesting, at least not to me. Also as a book from the 90s, it can only help so much and maybe it did?
This book is just a lot of stories. How people were doing one thing then became dissatisfied with their job/life then made a change. There are "tips" / action items at the end of each chapter but who really does all that stuff? Maybe I just had higher expectations from this book after ALL the RAVE reviews. Really - 16 reviewers each gave it FIVE STARS? hmmmmm.
I have been a long time fan of Alexandra Levit's work, own several of her other books, and have recommended her books to professionals time and time again. In the book New Job, New You, Alexandra writes about seven reasons people get the itch to change careers. I used this information to evaluate a career change I am considering - going from the entrepreneurial lifestyle I've created back to the corporate world to build my network, work with bigger clients, and take on an executive leadership role within a top marketing st people who are able to quit their jobs and become entrepreneurs don't make the switch back - so I had my doubts about whether I could make the transition. New Job, New You showed me that I was ready for this career change and gave me tons of great ideas to make the transition happen, and make it a successful one too!I am confident that the insights I found in this book will help me reinvent myself and my career as I take on new opportunities!
Chris Claremont's original run on the X-Men spanned seventeen years and saw the book propelled from a newly restarted and low selling title on a bi-monthly schedule to a colossal juggernaut in the comic world capable of supporting a number of spin-off books and a sister is is where the initial ride ends.I'd like to say it's all gravy and that Chris Claremont went out on the top of his game because... in a lot of ways he DID. His writing was still absolutely solid. His stories engaging. His characters charming. Unfortunately, he wasn't really ALLOWED to go out on top of his game because for most of this book, he only serves as scripter. A PHENOMENAL scripter, yes, but there's only so much you can do when you can't direct the 's also funny that this X-Men Epic Collection features a large chunk of non-X-Men books. There was a lot of tidying up to do before Uncanny and Adjectiveless X-Men could be soft rebooted into the Blue and Gold rosters we know and love and that meant situating the X-Factor team into a proper jumping off point so that the team could be reintegrated into the main X-Men books. Mostly, this means getting rid of Cyclops' son and the team's sentient headquarters while facing their greatest foe, Apocalypse, one last time. Don't worry folks. Apocalypse will be back but he won't be an X-Factor villain ever again. But X-Factor won't ever be the same X-Factor ever again, yond that, we see the second iteration of the Brotherhood of Evil Mutants (which was calling itself Freedom Force at the time) reach the end of it's road in the early chapters of this book. We see a premature conclusion to Claremont's long running Shadow King storyline towards the end (which was really a mercy killing because that story wasn't... awesome). We see Xavier resuming his place as leader of the X-Men (even though someone decided that the only way people would recognize him again was in a wheelchair).Claremont ducks out of Uncanny X-Men before the halfway point of the Muir Isle Saga, leaving everyone else, including Jim Lee, to scramble to the finish line of that story. It doesn't turn out badly but you can definitely tell when Claremont's "voice" has left the building. He co-writes and draws the first three issues of the brand new X-Men series, detailing the beginning of the new era of the X-Men and putting a bow on his Magneto storyline in the process. This is probably the best part of the book because he and Jim Lee collaborating is just a treat to read. There are still a few hiccups where the script and the art don't exactly match up (the two "Delgado" characters is the worst offender, here) but things run much more smoothly than they did in the X-Factor pages.Overall, this would be an excellent jumping off point for a lot of X-Men readers and I REALLY hope that that isn't Marvel's plan because I'd love the Epic Collection to continue after this. But at the same time, the deck is sufficiently clear. Most of the dangling plot threads of the previous few years are resolved. With Chris Claremont's departure, Jim Lee and Whilce Portacio would attempt to tell their own stories with the X-Men for almost another year before they, too, would leave the books (and Marvel!).This was all before my time, though. I didn't actually start reading X-Men until just prior to Fatal Attractions two years after this book. I quickly raided back issue bins to fill myself in on just what had happened before I jumped on, only learning of the incredible contributions to the title that Chris Claremont made after he had well and truly left. He would eventually return to the book but by then, the characters had gone in directions he wouldn't have taken them and become people he didn't recognize. And it wasn't the same because it couldn't be the same.But you can always go and read his earlier run. And you won't even have to raid back issue bins to do it! This collection is by far the best option to enjoying the last of Chris Claremont's initial X-run. The colors hold up very well and look better than they ever did in the original comics. The paper quality is solid. The extras include Jim Lee character sketches and magazine interviews as well and covers to earlier collected versions of this material. It's a great trip down memory lane with a lot of history to be had.
Though the X-factor comics are rather dispersed throughput multiple collections, besides X-factor vol one, this is a great way to complete that collection. Be it digital or physical, these stories hold up well and still give you plenty of excellent artwork and stories. Cyclops' son Nathan Summers being infected by the techno organic virus, the X-Men run in with the Shadow King, and the beginning of Chris Claremont's and Jim Lee's X-Men from the 90's. This is a good overview of what would become the explosive 90's scene for the X-Men.
Considering how we have X-Factor Epic Collections, I find it odd that X-Factor #65-68 are contained. I mean #69 is part of the Muir Island Saga, and #70 is epilogue to the saga. And it's nice that they put X-Men #1-3 in here as well as all the promotional material, though it makes me think we're not going to see X-Men Epic Collection. I mean honestly, this volume for Uncanny X-Men has three issues of said title, and one annual which is the whole point of this ngs of Pain is a four part storyline that ran through New Mutants Annual #7, New Warriors Annual #1, Uncanny X-Men Annual #15, and X-Factor Annual #6. When you see "material from" you'd think it is of the Kings of Pain storyline. WRONG. New Mutants Annual #7 reprints part one of The Killing Stroke, a backstory that shows the end of Freedom Force that runs through the other mutant annuals. No Kings of Pain storyline. Nothing from New Warriors Annual #1. Then you get all the stuff from the Uncanny annual of course. X-Factor reprints the Kings of Pain chapter, and the Freedom Force chapter. So bizarre in them choosing to reprint Kings of Pain from X-Factor but not New Mutants. If you want the fully storyline, buy New Warriors Classic vol 2 which reprints all four e writing and art is up and down. When you have Portacio, Kubert, and Lee doing art you have your up. But for the annuals, and X-Factor #70 you have the art down. And the writing is kind of all over the place too. I really wish though I could have sat in on the meeting for them deciding what to include in this volumen/
The Kings of Pain Annuals crossover (from the New Warriors, New Mutants, X-Factor, and X-Men Annuals from 1991) included at the beginning of the volume are the worst comics in this collection. Heck, they're probably some of the worst comics published, ever. No lie, they're trash. I'm sure someone out there liked them but they were so bad, art & story, that I (barely) skimmed them and kept on chugging thru the book. I didn't like these at all. I couldn't make heads or tails out of what was going on and they looked terrible. This section of the book would have benefited from a "previously in X-Men..." intro as some of the non-X-Men Annuals are only partially reprinted. As is, it made very little sense. This section gets an e next part of the book consists of X-Factor issues plotted by Jim Lee & Whilce Portacio and scripted by Chris Claremont. The art by Portacio has not held up over time & looks overly complicated, and chock full of 90s cliches . In these issues you will find page after page of open mouthed screaming, clenched teeth and tech, tech, tech, everywhere! I guess microchips and excess computer cabling were all the costuming rage for heroes & villains back in the day. Oh! And lots of overly aggressive posturing & poses ... basically everything bad we remember from the 90s comics are included here. That being said, the scripting by Claremont kept these issues readable, and read all together in one setting they were okay. In re-reading I noticed that there was lots of foreshadowing that Nate would eventually become Cable. Whenever there would be mosaics of future images, you'd see Cable in some of the broken shards of the timeline, etc. I'd grade this section a solid C+.Next up is the Muir Island Saga which was an editorial mandated storyline to clean up the various long-running subplots from the X-books ahead of the 1991 X-Men comic relaunch. Before they could do a "back to basics approach" they need to do some serious house cleaning. At that point in time, the X-Men were largely believed dead and had spent the past 2+ years (real time) running around the globe, slowly coming back together as a team, finding out they were all alive again (or something ... comics, what can you say). I'd read some of these issues when they were originally published but it was nice to read them all together in one sitting. When originally published I was only a casual X-reader so I was lost & confused about the various subplots, but re-reading it all today and knowing the history of the books I understood things much better. In all, it was a fairly decent conclusion to the story. Some of the writing is by Claremont, but the bulk is by Fabian Nicieza or "Fabian Nicieza with lots of help" (seriously check the credits page). The epilogue issue by Peter David was well done, dealing with all the fallout of the Muir Island saga conclusion. David features some nice, low key, character moments with Rogue & Mystique, Strong Guy & Polaris, Cyclops & Jean returning to the X-Men, Professor X's thoughts on returning to the series after several years away, etc. My only complaint is that the plots seemed ... rushed for lack of a better word. I know editorial was keen to clear the slate for the upcoming X-Men (1991) series and that's the reason for the rushed nature, but it is really evident in reading these issues all together. I'd give this story arc a B-.Finally, the last three issues of the collection feature the Mutant Genesis story which kicked off the new X-Men comic book series in 1991. Back in the day the first issue sold over EIGHT MILLION COPIES (woah, mama!). These issues still hold up well today and Claremont really left the book with a bang. The art by Jim Lee is great, and we get some nice character beats featuring Magneto. You can tell Claremont held him in high regard. He muses that "he does not wish to harm the X-Men" or that "we were once brothers in arms fighting the same fight", etc which is nice considering only a few years earlier he had led the X-Men in Xavier's absence. My only (minor) gripe is that basically the entire slate was wiped clean for this new series launch and all the familiar tropes of the X-Men were back with little build up ... the X-mansion & danger room are fully restored off-panel, Xavier is crippled yet again (sheesh give the guy a break), Magneto is villainous again and so on. Overall these issues get an A-.Overall I give this collection a positive recommendation for fans of 1990s X-Men comic books. Just know what you are getting into ahead of time, as it is not very new reader friendly.
After the events of avengers disassembled, the avengers are no more. This takes place awhile after that, with a breakout at a super prison in the middle of New York for some reason. For various reasons, some better than others, there are super heroes in or near the prison and these people become the titular new avengers.I rather liked this volume, the action is good and the writing works for the best part. It is a bendis book, so be prepared for all the self-interruptions and repeated lines that implies. The art is also nice, although it isn't my favorite David finch work. The male necks are all really thick, and his noses seem way too sharp almost. Those issues, combines with his really pronounced cheekbones make his captain America and Peter Parker look almost identical beside the hair color.
This story involves the formation of new avengers after a large-scale prison breakout at the raft prison facility. The first 3 issues set up the situation where the heroes are forced to fight the villains who escaped as soon as electro causes the security systems to malfunction. The remaining 3 issues is formation of this roster of heroes: Spider-Man, Luke Cage, Spider-Woman, Captain America, Iron Man and Wolverine.
I was really disappointed when this version of this book ended because it had all my favorite characters in it and hadn't happened before or after. Luke's team was a really good mix of characters with a lot of good stories to tell. Thing, Spidey, Wolverine and Carol Danvers on the same team was a nice break from the "Big Three" Avengers. Also, it was cool to see a "street level" version of Avengers. This is probably my favorite incarnation of The Avengers. Hopefully, after Secret Wars, we'll see a reasonable facsimile of this team again someday!
What did I like.....? The structure , the story. The meta back story, the art, the layout and the character growth. I've been reading Marvel since the early 1960s and always felt there was some kinship with the works offered, the zeitgeist of the Twighlight Zone and the best of Science Fiction of that decade. This takes all of that and everything that Marvel did after and marches it into a future along all fronts I took note of and probably many more with passion, craft, a quantum scope of style and depth of story that does the Old Masters proud from Kirby and Ditko, through Steranko, Heinlein, Asimov and Sturgeon. Maybe I read too much into Marvel Comics but I grew up in my pre teen years reading classical strains of European mythology. It informed the world views of those peoples. This is the mythology of our new age. Nuff Said.
New Avengers is an important title for the Marvel Universe, and it starts here. The premise: after the original Avengers disassembled, a new handful of heroes have gotten together to carry on the legacy. I don't want to ruin any of the surprises behind "Breakout" (which there are a couple) but merely comment on the importance of the book and the series itself. By this point, if you did not know that Brian Michael Bendis has taken almost complete control of every major Marvel Universe Event since Avengers Dissassembled, you are a little behind. He's an author that you either love or hate for his directions. While two main stories happened prior to the start of New Avengers (Disassembled and Secret War), this is really where the Marvel Universe begins to see its change. The story behind "Breakout" to put it simply is that there is, you guessed it, a breakout, and many, nearly 50 villains from a wide array of comic series escape. This event, which gathers the New Avengers initially, affects the Marvel Universe as a whole for a great while into Bendis' Marvel timeline.(Punisher War Journal which started about the time of the Civil War made numerous references to this breakout during its run, just to give you an idea) New Avengers does not do a BAD job on anything. The dialogue isnt terrible, the action is solid, and the art doesn't leave you wanting more. That said, New Avengers is not a continuously great title. I thoroughly enjoyed "Breakout" and would recommend it to anyone who likes comics. The series afterward i found to be very off and on good...one thing i give Bendis credit for is his overall consistancy (ultimate spiderman comes to mind in that same respect). The importance of the New Avengers (and later the Mighty Avengers) is mostly as a companion to the main events in the Marvel Universe, and the MU is certainly full of events that are worth having extra information for. Although Bendis takes too much advantage of this during Secret Invasion (which is almost completely unreadable without the Avengers titles), New Avengers is a solid read that doesn't always leave you wanting more, but leaves you satisfied enough to continue reading if you have the time
A graphic novel collection of issues 1 through 6. The Avengers broke up after the Scarlet Witch had a breakdown that resulted in the death of several Avengers. But fate brings together a new team when there is a breakout at the Raft, a prison of super powered criminals. They decide to stay together to try and recapture the criminals who got is is a new mix of heroes with a new mission. It is interesting to see a team with an actual mission beyond just catching the latest villain to pop out of the woodwork. The heroes have a good chemistry from the very beginning. Finally the artwork is very nice comic book artwork.
This is a great Avengers team. It features Netflix heros Luke Cage, Jessica Jones, Iron Fist. Spider-man, Wolverine, the Thing from the Fantastic Four, Ms Or as she's called today Captain Marvel, Doctor Strange, And Hawkeyes ex wife Mokinbird. This book has a lot humor and action. I loved it.
This is what comics like the Avengers, X-men, Justice League etc. are supposed to be about. Cool action cool story. It's nice to see a comic finally get away from all of the political drama and conspiracy stories that in the end just dragged on and on. I am so tired of buying collections like all of the Siege books that had virtually no action and were more just tiring dialogue. When I want drama I will watch Smallville. When I pick up the Avengers this is what I expect to see, Luke Cage knocking something out, Spidey being in way over his head, Wolverine cutting crap up. The addition of the Thing was pretty cool s nice seeing the writers getting away from the older up-tight Avenger model teams from back in the 80's and putting some attitude into the team.
This trade contains two annuals and issues 31-34 of the Avengers. At the end of the collection, there is a three page letter from Bendis to the readers. In it, he informs us that he is ending his time on the Avengers to go and write the X-Men. I was surprised when I read it (I don't go to comic book stores anymore (all Amazon) and I don't keep up on comic news), but after thinking about it for a few minutes, it makes ndis wrote 232 Avengers comics -- a record. His 2004 to 2009 run was inspired. I'm a massive fan of Civil War and the Skrull Invasion. Bendis is a master at characterization and dialogue. Unfortunately, the last couple of years have been weak -- Fear Itself and the Avengers vs. X-Men storylines were forced, bulky and too heavy on is trade reads well and is a good book. I do recommend it. It's just not up to par with his other Avengers o problems: (1) Simon Williams attacks the Avengers in the Annuals that kick off the trade (something that Benids foreshadowed 2 years ago). He blames them for a variety of problems (Civil War, Scarlet Witch, Ultron) and says the Avengers should not exist. A few issues later, he returns and is semi-easily accepted back into the fold. Not cool (I'm still having a hard time accepting the Cap-Iron Man peace).(2) The Wasp is alive. She was killed during the Skrull Invasion, and then brought back 5 years later in this trade. It seemed like Bendis was bold when he took over the book and killed off Hawkeye, Antman (Scott Lang, not Pym), the Wasp, and a few other characters, but none of the iconic (or semi-iconic) characters remained dead. Ah, the problems with having to sell a comic forever (see Jason Todd).Bendis is great. I love his writing. He's my favorite author that works for the big 2, and it's not really close. That said, he made a good choice in leaving the Avengers when he did. It's time to move on.
I liked a lot of things about this collection, but there were some major elements I didn't like much, such as the way they reintroduced Hawkeye by having him take over the Ronin identity from Echo (not exactly a spoiler as it happens early on in this collection). The first issue here, which involves Hawkeye's journey back into the world, was very well done, however. I'd absolutely recommend this for fans of that character.We also get the New Avengers coming into conflict with the Hand, which would eventually lead directly into the Secret Invasion story. Overall some good stuff here, though the art wasn't my favorite. One thing I enjoyed about this team of established heroes coming together is when some characters are familiar with some things in the Marvel Universe and others are not, such as Spider-Man and Iron Man knowing Brother Voodoo when Wolverine and Ms. Marvel had no idea who he was. Bendis has always been good at that sort of thing.
The fifth volume of the otherwise great New Avengers series is just average. Essentially a collection of one shots, the volume touches base with most of the major New Avenger characters to get a feel for how they are reacting to the overall Civil War plotline. We get glimpses of characters like Luke Cage and Captain America dealing with the fallout and fracturing of the team. If you love Civil War or the New Avengers this is worth picking up to see the personal touches the main event has on the characters, but there isn't a New Avengers-specific storyline that connects each issue.
Writer Brian Michael Bendis, artist Steve McNiven and the production team have fashioned a sharp, entertaining story around one of Marvel's more unusual characters, the Sentry. Advancing the larger New Avengers story arc, while at the same time including some wonderful character beats, this surprisingly moving storyline is an interesting take on the themes of mental illness, guilt, isolation and the importance of reaching out and asking for help.
I sometimes wonder if Bendis was given the task of writing this book while being told by the higher-ups at Marvel that it had to include certain characters like Wolverine and Spider-Man. That can be a tough task, but Bendis does a great job getting the individual personalities right and giving each character a role to play in the overall ough that is a highlight, the downside here is that there seem to be a few random things going on here (such as an apparent symbiote infestation?) that never really get explained but only show up to further some other purpose in the arc. Maybe they were events from other titles crossing over. I don't e main focus in the second half of this collection is decent, however, as the Hood makes his move with his assembled villains, though the only ones other than Hood who get much face time are the Wrecking Crew and, to a lesser extent, is is worth reading if you want the lead-up to Secret Invasion or if you want to complete the collection of this run. Not essential reading to the big picture though.
Be warned: This collection doesn't actually feature many Avengers for about half the book, new or otherwise. It is a good story though if you enjoyed the main Secret Invasion story and want a more complete background on how the Skrulls infiltrated Earth. It also has a great chapter in which we see the Skrulls' reaction to the House of M, which I thought was a great touch, since the main story revealed Skrulls had been here for a while, and it made sense to see them reacting to events we had already seen from a more straightforward at makes up about half of this collection. The rest are pieces best read alongside the main story, as they pick up in the middle of other scenes taking place in the main is was easily better than Book 1, simply because it at least told a continuous story for much of the volume. Definitely pick this up if you liked Secret Invasion.
The New Avengers can't catch a break. As if the Civil War wasn't enough. Or the fact that they're wanted criminals, and with their former teammates hunting them down. As if it's not enough that they've just faced off against Electra and her deadly group of ninja assassins, the Hand. Now the fit really hits the shan. In the last issue (see New Avengers Vol. 6: Revolution) it's revealed that Electra is actually a shape-shifting Skrull. This causes a big, big problem as these outlaw Avengers now suspect that a secret invasion is in the works. But how long have the Skrulls been skulking around? And how big the conspiracy, how deep the infiltration? Could the Skrulls have been somehow responsible for the Civil War? So, these renegade heroes now don't even know if they can trust each other ("Do you feel Skrully?" asks one Avenger to another). Paranoia sows its seed and quickly threatens to shatter the group. In fact, one member promptly skedaddles.On top of it all, a demon-ridden villain calling himself the Hood ('cause, y'know, he has a hood) is scheming to take over New York's criminal underworld. And he's making quick headway. The Hood is a thinking criminal, and he espouses organization and cooperation amongst New York's criminal element. It also strikes him that, with the Superhuman Registration Act lending ready access to the identities of many in the superhero community, one way to build up instant credibility is to make an example of a superhero. To quote the Hood: "One by one. We get them where they live. All of them. No one is safe. Not the icons, not the up-and-comers." His actions put him and his superpowered crime syndicate on a collision course with Luke Cage and his crumbling outlaw band. So far Dr. Strange's mystical dwelling had provided a foolproof sanctuary for these fugitive Avengers. But not anymore.Oh, and there's also some nonsense about all of New York City being transformed into symbiotes (like Venom). This might've been interesting except that amongst the infected are the New Avengers, so that's no fun. Plus, it was told in broad-stroked flashback by Luke Cage, one of the two who didn't get infected (him because of his invulnerable skin, Wolverine because of his healing factor). Apparently, this symbiote storyline is told in full in an issue of Mighty Avengers. But since I don't follow that series much ("bleccch!" to the Mighty Avengers), I guess I won't get the full lowdown on what is is THE NEW AVENGERS Vol. 7: THE TRUST and it collects issues #32-37 and The New Avengers Annual #2. I figure, as long as Brian Michael Bendis keeps churning out New Avengers stuff, I'll keep reading 'em. To be honest, though, I was getting pretty tired of the Hand story arc, so I'm glad Bendis has (for now) moved on. This new arc paves the way for the next big Marvel Comics event, Secret Invasion, which is an 8-issue limited series. In an IGN interview, Bendis let out that he'd been planning this thing for years and that there's been a hint of the Skrull invasion even as far back as New Avengers #1. Color me though the suspicions and hostility stemming from the Electra Skrull debacle continue to nag our team, the Hood proves to be a hell of a distraction. Yup, I've read Brian K. Vaughan's gritty limited series The Hood (New Avengers). I liked Parker Robbins as a fractured, small-time thug who kind of had the best intentions; I never thought he had it in him to become a formidable crime boss. Obviously the demon in the cloak is influencing the crap out of him. How tough is the Hood? Well, he busted Wolverine up pretty good. In fact, what he did to old Wolvie made me cringe a lot.I can't say much for the Hood's super-powered yoyos. They're mostly lower-tiered villains (Madame Masque, the Wizard, Chemistro, etc.), and I'm pretty sure even Howard the Duck could wipe the floor with them. The only respectable bunch in the Hood's group is the Wrecking Crew. Let's face it, it's pretty much the Hood's intelligence and planning (and a bit of that brimstone mojo) which make him a force to be reckoned a personal way, the splitting of the Avengers into two very different teams is a good thing. The Mighty Avengers took away the characters I didn't really care for (Iron Man, the Sentry), while the New Avengers stuck with the cool set (Luke Cage, Wolverine & Spidey). The New Avengers have recently welcomed Dr. Strange, Iron Fist, and a resurrected Clint Barton into their ranks, and two of 'em are still around by the end of this collection. It's disappointing, though, that Fist and Luke haven't interacted more in these pages. On the other hand, I'm definitely digging Luke's marital relationship with Jessica Jones. Luke and Jessica just feel like a real couple. Currently, their relationship is bordering on rocky, what with the fugitive status and that Skrull thingie. Come to think of it, the way the final issue here ends, it's guaranteed to tick the hell out of Luke ere's really nothing more to say about Brian Michael Bendis, except that the dude is gold. Leinil Yu provides the brunt of the artwork, which tends to come rough and rugged. Nevertheless, it definitely has its own energy and raw appeal. Meanwhile, Carlo Pagulayan's more polished looking stuff is showcased in The New Avengers Annual #2, the site of the no-holds-barred rumble between the New Avengers and the Hood & his supervillain crew. This collection guest-stars Tigra, the Night Nurse, Deathlok (kind of), and the government-sponsored Mighty Avengers (who might actually boast a conscience after all, underneath all that self-righteous bluster).Oh, and in issue #37, Spidey makes Wolverine laugh.
One of the best of its kind. Well explained and easy to understand for non-academics. Creative thinking is more a metter of "thinking". It is not just thinking out of the box but looking to the many boxes where our answers ares. Creativity and innovation are capacities everybody can develop following a sound methodology and overcoming common fears.
This is one of those books that can sink in really deep or you can forget it the second day. Depends on your level of focus. The examples provided in the book are sufficient proof that in order to realize where you want to be you must want to let your mind wonder and dare to dream the impossible, the funnel those dreams/ideas and then bring them down to reality and make them fit your future vision.Highly recommend it!
As she herself admits in the book, she's Laura, X-23, and Wolverine, and she's not trying to replace her father as much as keep his legacy alive, which is a good summary of this book to be honest.A very Wolverine-ish story about shadowy organizations (Alchemax, as they are slowly becoming the evil scientists of the world) playing with Wolverine's genes to create super soldiers. Laura, however, is not trying to fill Logan's shoes so much as follow what he taught her back when they were together, and she manages to tackle things in a less violent (as pointed out by a lot of people she comes across) and yet still very familiar way.Her first adventure manages to work in superscience (Pym style), magic (Strange style), and good old fashion claws vs private military action, as she tries to find a balance between what she was made to do and what she wants to be, and if you can't tell there's a lot of metaphors hidden in all the subtext of this book that make it a joy to pick through.If I do have to leverage complaints: this is going to seem like a fairly tame beginning for her story, as there's no costumed villains running around (save an appearance so short it's more of a cameo despite having a nice fight to go with it) and most of the X-23 clones aren't too interesting outside of a couple of good scenes. However the sincere moments where we see inside the mind of our new yellow-and-blue sniktbub are good enough to elevate it above "average" and it does set up for an interesting aftermath following the events of this book (at least with the new characters and how they're going to fit into Laura's life).The series does call back to some of X-23's history but besides for knowing what the stinger means (someone familiar shows up) and what the various pictures that are a little more vague that happen in a splash page flashback are, you don't really need to be too familiar with Laura to read this one and enjoy in the end it's not a must-have book, but it's not a terrible one either, and there's just enough in here to really dig into.
This book is a fun and easy read. Nothing really spectacular about it. If you're looking for simple superhero fun, then it's a good choice. I don't think it will top any best of lists though. I wish I could give it a 2 1/2 to be honest
Fantastic art, and an action packed story. The mantle has been passed from Logan to Laura, and i can't wait to see where the story goes next. If you like [email protected]#$% super heroines, give this book a read.
This was a fun new version of wolverine. I think that this new female version brought a fresh look to the tone of the ideas that are carried with who wolverine can be. But not only does X-23 with the wolverine suit show a fresh take it related to many of the aspects that I love when Logan was behind the mask.