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Arrived fast, not over packaged. So glad I bought this book; the costumes in it are inspiring and truly creative, created from all sorts of materials that one in our material western globe might otherwise overlook. A very inspirational image book for anyone interested in fashion, costumes and other cultures.
Phyllis Galembo is to be celebrated for her superlative images of African costumery, thereby showing us the fantastic, fabulous, imaginative genius of the people she photographs. I'm in awe of such creativity. I must say, though, that the book was a disappointment. Its production did not live up to its subject. The images themselves are fine - although I did expect a somewhat larger format, but there is something flat & ordinary about the dust jacket; the white background, the lack-luster font, in fact the general design, but, more necessary to me, is the inconsistent image display. Some pages have images on each side, most have images on one side, with a blank reverse side. Its unprofessional appearance cheapens the presentation and gives the impression that the publisher wanted to create the book thicker than (to my mind) it should rightfully is is simply to forewarn, not to discourage, would-be buyers. The costumes are delightful, inventive, utterly wonderful. In spite of my somewhat serious quibbles with the production of the book, I'm still glad to have it.
We bought this book because my almost 6 year old was having problem understanding that fairness is not sameness. I have a 15 month old daughter that gets more attention at times and has various needs, of course, and I required a story that helped explain why both children weren't going to obtain the same treatment at the same time, every time. We required to obtain away from if one gets fresh clothes/shoes, the other gets fresh clothes/ took a couple of tries, but the notice finally broke through. I think my 6yo required a couple reads to fully grasp it. Since then, however, things have improved. She no longer expects sameness.
We're fighting the "It's not fair!" war at my house, and this simple, adorable story is an immense help. We ask how much hay we really need as a code for the always famous refrain, "Fair doesn't mean equal." I definitely recommend, especially if you're dealing with a kid fixated on his/her idea of fair.
This book was amazing for our 8,7,4 year old who are always comparing everything with each other. They enjoyed the illustrations and we had a amazing discussion about the notice of the book. Two of our kids have unique needs that require some additional attention and this book helped illustrate we love all our kids just the same, and give them what they need.
We were looking for a book for our 6 year old to really test to obtain across the point that fair is not equal. I do think that this book does a really amazing job explaining that and how if everything was "equal" it wouldn't be fair. I want they talked about more problems other than meal in the book to kind of present examples in other parts that would relate to his life, but overall, amazing book with a amazing message
Although panned by most critics, Fair Android game (1995) is not nearly as poor as some would lead you to believe... especially if it's taken purely at face value. Based on the novel of the same name by Paula Gosling, the story had previously been filmed as Cobra (1986) starring Sylvester Stallone. For all intents and purposes, Fair Android game is a decent action movie, although overindulgent in most aspects (huge explosions, gratuitous boob shots of Cindy Crawford, nudity, a popular stage and one-note acting). The movie was designed solely as a car to capitalize on the enormous popularity of Cindy Crawford, the hottest Supermodel of the 1990's... and in that respect, it had enormous success. Fair Android game has become a sort of Cult classic, based on the adoration for Crawford's appeal and a brief, early role by Salma Hayek. As far as her poor acting goes, Cindy Crawford said it best, taking the high street with "Oh well, at least I tried." Indeed, she deserves an "A" for effort.
The Huge Two email apps are too bloated, so I wanted something more Old School (and secure) that lets me see my email in one put without a lot of unnecessary enterprise features and creepy AI canned replies. I place Fair Email through its paces on two mobiles today, and it's been a amazing experience so far. Simple setup once I found my method around, and I bought the pro features almost immediately. Five stars.
Spent HOURS the latest few days searching for, installing, testing, uninstalling email clients, and reading privacy policies. This is the one! Can send from my email aliases, personal and secure. 30mins in have upgraded to pro to help the developer. Love the dark theme too. Not super flashy, but most importantly, seems to be working perfectly and doing what others cant. Thanks for a amazing product Dev.
I'm not a fan of jazzy bluegrass. I'm not a amazing admirer of Bela Fleck or even Psychograss. This isn't a philosophical problem or political problem with me, it's just a musical one. I don't think the melody sounds I was wary of Alison Brown, who is clearly of the opposite opinion. But with this record, she has won me over. This is her "bluegrass record", as compared to some other more experimental or jazz-related records. And for me it hits just the right mix. I feel like baby bear on this one -- it's not too jazzy, not to traditional. It's JUST RIGHT.While "Leaving Cottondale" won an award for best bluegrass instrumental, my favorite chop is one called Poe's Picking Party. I never obtain tired of it. Twin mandos in a kind of baroque e musicanship is amazing all around. The mandolin work is outstanding. I never knew Sam Bush could play like that. And of course the banjo playing is great. Alsion uses a lot of the melodic style that I associate with Bill Keith, but she can also do straight ahead Scruggs with the best of them. The material provides lots of variety, with guest vocals by Claire Lynch and Tim O'Brien, to name a couple. Blistering and soothing, it's all l in all, this is a record I go back to again and again. And now I even listen to and have fun Alison's other records, like Easy Pleasures and Look Left. Highly recommended.
Love it because it's GOOD! Alison Brown must be the only Huge Name Banjo player educated at Harvard with an MBA from UCLA and her own record label. What's necessary on THIS recording, however, is that she is also on the VERY short list of the best banjo players(or musicians) - period. She also plays guitar so well that on "Deep Gap" (named after Doc Watson's home town) you can't tell which track is Alison and which is IBMA guitar player of the year David Grier. Her compositions are steller, the arrangements sparkle, and she gets the most out of her band and guest stars. Amazing vocals from Vince Gill, Claire Lynch and fellow NewGranger Tim O'Brien. Blistering hot instrumental work from Rice, Bush, Fleck, Duncan, Marshall, Grier and the woman herself. This grammy-winning album joins the cannon of "classic" bluegrass recordings. I had to "edit" my Amazon list to contain it!
Not sure which film the less than 4 star-raters watched but this film is remarkable on so a lot of levels. Its a story that has not been told and unless you have walked even a few steps in these characters shoes then you would think it mediocre. As Roberta Flack sang, "Telling my whole life with your words...". Absolutely awesome film - amazing acting and not sure about the complaints about the melody - its a key part of the story. More interesting this story doesnt take put in the south as so a lot of would think such close mindedness could exist. Worth every min and then some.
A attractive and very memorable film. Micheal Grant is outstanding as the rejected son who is nothing that his Macho father wants him to be, not just as far as orientation but everything else. Mr. Grant is also one heck of a pianist and does his own playing in the film!. Tom Wopat is perfect as the father and is really as macho as it gets! Josh Green radiates kindness as James' boyfriend. The photography and sets are unbelievable and capture the beauty of the apple orchard and its adjacent little town. The direction is very skillful and the musical score is beautiful. Johannes Brahms unbelievable Waltz in A flat Major, Opus 39, no 15 really captures the atmosphere of the film with its sadness and joy. There are some hot Chopin pieces as well. Don't miss this movie!
This is one of my favorite John Prine CDs. It came out in 2005 and we've probably bought 4-5 copies of it over the years (my husband keeps "sharing" it). It's just classic Prine - funny, touching, a small bit gritty, always real. Foot-stomping sometimes, tender-harmonied other times. It contains a stirring rendition of a Carter (as in the Carter/Cash family) song, Bear Creek Blues. Prine doesn't do a lot of covers - his songs are the ones everyone else is covering - but Bear Creek Blues is just a fun, old-timey foot-stomper with some amazing guitar licks in it. "Long Monday" contains amazing lyrics such as "The radio's on ... windows rolled up and my mind's rolled down." This is a must-have CD if you're a John Prine fan. If you're fresh to Prine, this one will obtain you hooked.
I can only laugh when I read some of these other reviews. As a performing artist, sometimes you just can't win. A lot of of the artists who are lucky enough to have been around as long as John Prine has, hear the old criticism over and over again, "I liked his older items better." Well, it seems a lot of see this Prine release as simply "more of the same." So there it is - you change and you obtain criticized, or you don't, and you still obtain critized. I'm sure it doesn't mean much either method to Mr. far as I'm concerned, that's the greatest thing about John Prine - his newer melody is just as amazing as his older music. I agree with others who have called him a genius. I've been a fan since the 1970's and he is one of the very few artists that I just never obtain tired of. How could anyone who likes his melody become tired of him? Each fresh Cd is breath of new air and quite related to his original efforts, all at the same ank God John Prine didn't come along any later than he did - he may not have been attractive enough or mainstream enough for the present-day melody industry. And we all would have been poorer for it. I cringe when I think about all the struggling artists out there who are turned down these days because they don't have the right look. It's a sad era for music.But, to the point - Fair & Square is a gem, of course. Yes, it's a small more serious than some of his earlier efforts, but not entirely. But that's ok - "Happy Music" leaves me cold anyway. I like melody that stirs up emotions and brain cells - and John Prine never fails to do that. If you're a John Prine fan, you will not be disappointed with this CD.
Method too a lot of ads of 20 plus second duration. The android game itself is like others of its kind and amazing to play for awhile, but the incessant, long ads are crazy. I understand you need to pay the bills as all developers say, but do what plenty of others do and opt for some ads of 10 seconds or less. It isn't nearly so frustrating if you run more ads of shorter length. You've ruined the android game for one person, for what it's worth.
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This is my very first negative review on Amazon -- or anywhere else, for that matter. Moreover, I've become a die-hard Amazon ever, I feel compelled to warn others about what Vanity Fair is doing with these subscriptions. I had signed up for a one-year subscription at a amazing rate, which is usually the case with , nine months later, I just received a letter from Vanity Fair, informing me that my subscription is about to be automatically renewed for another year at $32.95 -- nearly twice the price of the original subscription. To avoid the charge, I then had to call the Company and work through their automated network until I got to the correct automated robo-voice.We look forward to the magazine, and think it's amazing reading. However, they should be ashamed of practices like this. They should be getting subscribers by virtue of the value of the product -- not by underhanded automatic renewals at ridiculously inflated prices.
This album is straight up, traditional blue/new grass rather than the banjo-jazz fusion of her latest few albums and is enjoyable for that reason. I like the staight bluegrass side of her melody but am a small disappointed since I really loved the brilliant inovations that she showcased on her "Quartet" and "Look Left" albums. The bottom line is that this is an perfect bluegrass album but it doesn't go beyond the tradition.
I may be one of the few folks who tend to like his Olderself items more than his older stuff, of course, I love the classics, and Paradise, Angel From Montgomery were what brought to his melody but I can't obtain enough of watching his latter performances on YT. This album form 2005 is such a amazing one.Miss you already John Prine, you will live on for us and a lot of fresh listeners are surely coming everyday...
John Prine is the most humorous song writer alive. He is also very much the "everyman." He can praise his wife's beauty and grace in one verse and want she did not talk so much in the next. I laughed out loud the first time I heard Crazy as a e politics in "Some Humans Ain't Human" is dead on correct. Torture will not save one American life. Somebody in Washington gets their jollies from it. In my book that is less than human.I have appreciated John Prine since "Daddy won't you take me back to Muelenburg County." The pure joy of listeneing to him gets better with time. Fair & Square
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Whether it due to the passing of Bill Monroe or the unexpected success of "Oh Brother, Where Art Thou?", a lot of mainstream country (Patty Lovelace, Dolly Parton, Vince Gill) and fresh acoustic (Bela Fleck) artists have released work that either pay homage to their bluegrass roots or at least have some sort of "retro-grass" sound. And while a cover ver of Elvis Costello's "Every Day I Write the Book" ain't exactly "Uncle Pen," it's interesting and refreshing to hear Alison Brown's evocative banjo picking in a more traditional setting. Alison lined up a lot of of the bluegrass world's usual suspects (Fleck, Mike Marshall, Daryl Anger, Tim O'Brien, Stuart Duncan) to deliver an effort that's both accessible ("Book," "Everybody's Talkin'", and the title song - amazing vocal by Gill!) and exciting ("Shake and Howdy" and her signature breakdown, "Leaving Cottondale" - worthy of re-recording here because of the amazing banjo interplay between Alison and Bela).Alison will undoubtedly continue to record with her jazz-oriented band (not that there's anything wrong with that), but for those of us who have fun the acoustic string sound, this one will have to do for awhile. Fortunately, it's a very enjoyable ride.
Child and father live in what looks like a amazing farmhouse. There should have been at least a couple of other characters on the orchard to flesh out the background. Grant and Green are both perfect as the boys trying to search their method back to each other after one of them undergoes psychological torture while incarcerated in a Christian conversion therapy operation. Wopat and Harrison do well enough with the sort of stereotypical adult characters they're given to play. Eliminate the creepy minister's daughter subplot, and trim a small of almost every other stage in the film and this could have been even better.(Also wanted to note the homage to a very different, much better coming-of-age story; the woods running stage near the end when the boys finally reunite. The stage is copied more-or-less directly from the 1996 British film Attractive Thing, one of the best films of all time. No Cass Elliot soundtrack in Fair Haven, but otherwise it's exactly the same scene, and almost as sweet as the original.)
This is not a poor film but it's not epic. It features someone who has just completed ex- (aka reparative) therapy, then runs into his old boyfriend. Along the method he gets thrown together with the preacher's daughter at his church. Things obtain modestly some others have noted, the scenery is nice, particularly the old farmhouse. It's not really the season for apples, and the trees either don't have them or they're too little to really see, but the orchard has a steady supply of apples to deliver to wholesale customers--the deliveries are important; a lot of the plot weaves around 's certainly not a waste of time, and it doesn't have anything too dreadful in it. Some of the relationship developments and life changes are a small abrupt, but it ties together reasonably well in 90 minutes.
A mate lent me a John Prine CD a couple of years ago. I may have heard the name in passing, but, had not heard any of his music. I was instantly hooked and, so far, have since purchased more than 20 of his discs. Oh Boy! I also saw him this past spring at a thoroughly enjoyable concert in Worcester, MA. I have melody on when another mate comes over to play pool. Though he's not as into melody as some, he occasionally asks me to replay a song that has just cycled through the "randomizer". Other than Lucinda Williams' "Lake Charles" and My Morning Jackets' "Librarian", every other request has been for a John Prine tune. Sometimes we'll repeat to a John Prine song 3 - 5 times before letting technology resume control. Ultimately, to reduce interruptions to our games, I added multiple instances of songs such as: "Crazy As a Loon", "Speed of the Sound of Loneliness", "Some Humans Ain't Human", "Long Monday", "Taking a Walk" to my "POOL MUSIC" playlist. Despite this seeming over-saturation, I am far from tired of hearing these amazing songs. They are also prominent on the John Prine/Leonard Cohen mix collection I burned for use while driving.
A amazing set of songs, most of them written by Mr. Prine. He's in a amazing mood and moody and estranged....Original melody for the most part, kinda low key...at times appropriately qwirky, nice steel guitar, a lot of of the melodies sounding like some of the better cuts from "The Missing Years"..."My Darlin Home Town" is my favorite."Bear Creek Blues" by A.P. Carter is an upbeat backwoods Irish Import from days of yore...."Morning Train" sounds fine...None of this is up to the quality of Prine's orignal American melody from the first 3-5 albums..but in view of the melody biz today its a breeze one can breathe... authentic, tunes that are not unlike a comfortable old couch, wine stained and unpretentious...
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The images are absolutely gorgeous but there isn't much explanatory text.
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A truly beautiful, amazing book. It has a depth I wasn't expecting. There are a few image books I will treasure for life; this is one of them.
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Hardcover, Plain Card Boards with Photographic DJ, 9.5" x 9", 208 Pages, 94 full-page color images of masquerade masks & costumes, (71 depictions from Africa and 23 from Haiti), 7 Pages of text. Introduction by Chika Okeke-Agulu Original pricing : 30 Pounds (UK), $45 (US) Published by Chris Boot, om the back cover : " 'Maske' is an album of Phyllis Galembo's strong and thrilling masquerade photographs from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti." And these portraits are indeed strong and thrilling...Okay - It's real that the photographs are posed and static, and it's also real that there is too small in the method of descriptions of each costume, and...yes...the presentation is a small spare and unbalanced....BUT.....the photos themselves are striking and visceral works of art. The photographs have a unbelievable dreamlike quality, as if they were tribal art seen through the lens of David Lynch. The book features vibrant, beautifully lit mask and costume art, modeled by almost entirely anonymous people, captured in a photographic museum which appeals to the tribal art lover in me, but which I honestly believe will appeal to all lovers of art and ease see past the books faults to appreciate a simply unbelievable book, which has immediately become one of my favorite portrayals of "Man As Art".
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