Read godzilla wallpaper hd reviews, rating & opinions:Check all godzilla wallpaper hd reviews below or publish your opinion.
100 Reviews Found
GYLAN ! For the latest time !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!YOU !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! @#$&*^
Why must Hollywood scriptwriters of some genres of movies, especially monster, superhero and horror movies, so often think that the audience are total idiots? Or maybe they themselves are severely lacking in brainpower and do not understand the level of trash in what they spew out. In Godzilla scriptwriter Dave (David) Callaham should have a unique dishonourable mention for ruining a promising movie. The film started of with the obligatory nuclear power plant scenes. When it started I first thought, oh no not the blame nuclear power scare again. However, as it turned out, this was not so. Unfortunately, this was beautiful much the only amazing part in the entire script. The rest of the script is just a collection of illogical, unintelligent garbage. It starts quite quickly when Ford’s father suddenly pulls of his mask, takes a sniff, and declares that there is no radioactivity in the air. Only a scientifically ignorant idiot writes something like that. Then we have the stage were the soldiers rush into The Nevada nuclear waste facility and checks the inspection hatch on every door until they search one where there is a light only to explore that the creature have broken and left a gargantuan hole. A large creature have broken through the walls of a nuclear waste facility leaving a whole huge enough to drive a battleship through and no one would have noticed until some marines goes around and inspects the doors on the inside? Again, you have to be beautiful unintelligent to write a stage like that. The entire plot is basically the same unintelligent mess. They follow the monsters around until they reach civilization. First then do they actually test and do something. That is just so nonsensical. In the case that a large city-destroying monster would approach any huge population center it would be blasted method before it reached it. Also, when they do attack they fire some light weaponry and maybe a tank gun or two versus it. If millions of people were at risk I think it is not a very far fetched belief that the military would throw everything they had at the threat. And do not obtain me started on the hair-brained scheme of luring out the creatures to the sea with a nuke. What a load of bullocks! Okay, so with all this ranting, why did I give the film as much as 6 out of 10 stars? Well, I am a fan of large creature films and the parts where the creatures rampage around destroying things or slugging it out versus each others are great. Unfortunately this is beautiful much the amazing that can be said about this movie.
OK, allow me begin off by saying that the fresh Godzilla is definitely an entertaining film and well worth the of an admission ticket. That is – so long as you go into it with popcorn-level expectations. Now, it has to be said that the bar, since the most latest attempt by Roland Emmerich in 1998 (which was hilarious at best) wasn't set particularly high, to say it nicely. So in all honesty, with today's budget and unique effects, it never had huge possibility of being that bad. But I have to admit, judging from the trailer – I thought it would be better. It starts off beautiful good. There is proper story build-up and hero lay-out. Where we are – what's happening... It's all there. In fact, the story revolving around the main characters is beautiful dramatic from the get-go. Death in the family, trauma leading to obsession over finding the truth surrounding the circumstances. Bryan Cranston is impressive as the family father and science guy. He just knows something is up concerning some huge beastie and he won't allow up until he figures it out. That is – if he gets the chance. Something happens around one third into the film that is a pivotal turning point in the story. I knew this immediately when it happened and in the end I realised that I had been correct. From this point on, it's out with the story and in with the action. An almost mind-numbing, pummelling assault of non-stop action. I'm not saying it's bad, I'm just saying it's a lot less interesting than it could have been. Here's the deal: instead of just one Huge Monster, they bring in three. One Godzilla, and two large insect-like monsters that are only designated as MUTO (Massive Unidentified Terrestrial Object). Seriously, they couldn't come up with a proper name? And instead of Godzilla being the huge threat to mankind, the MUTO are. In fact, Godzilla turns out to be the amazing guy because he's the only one that can conquer these insect creeps. This story line is factor one in the reason that this film isn't what it could have been. Factor two is the plot point that these monsters all feed on nuclear energy instead of "manburgers". Consequently, the only true threat they pose is the heavy destruction they cause in huge cities (and obviously, the human lives that become casualties by default). It's because of this that there is never any true sense of threat or danger. They don't hunt us, they don't care about us. All they wish is nuclear energy and a put to breed. What's worse is, these MUTO take screen time and attention away from the creature who's supposed to be the main antagonist and namesake of the movie! It might as well have been called "Big Creepy Insects" instead of "Godzilla"... In the end, what we're left with is billions of dollars worth of collateral hurt and a [email protected]#$% creature who's really kind of a nice guy. Weird. Still, it's certainly not bad. Aaron Taylor-Johnson does his best at looking very serious and all grown up since his [email protected]#$% days, although I am certain that this is definitely one of his less compelling roles. The issue is that from the 1/3 turning point that I mentioned, his hero becomes very formulaic and cliché. Our character even shares an intimate moment of eye contact with Godzilla in the end... Aww. _(May 2014)_
**Fundamentals, reception.** 1. American/Japanese live action feature length film, 2014, PG-13, 123 minutes, science fiction, action, thriller. The spoken word is in English, with some sub-titled Japanese. 2. IMDB: 6.6/10.0 from 239,012 audience ratings. 3. Rotten Tomatoes: 74% on the meter (average 6.6/10); 67% liked it from 171,052 audience ratings. 4. I saw this movie off DVR from Cinemax. 5. Directed by: Gareth Edwards. 6. **Starring**: Bryan Cranston as Joe Brody, Ken Watanabe as Dr. Ishiro Serizawa, Juliette Binoche as Sandra Brody, Sally Hawkins as Dr. Vivienne Graham, Aaron Taylor-Johnson as Ford Brody, Carson Bolde as Sam Brody, David Strathairn as Admiral William Stenz, Elizabeth Olsen as Elle Brody. 7. Demographic targets: Godzilla fans, action fans, international market. 8. (from Box Office Mojo) Estimated production budget, 160 million USD. Estimated gross revenue as of 01jan2015: States, 200.7 million USD (38%); overseas, 328.0 million USD (62%). **Setup and Plot** 1. In the opening sequence, Joe Brody, his wife Sandra and son Ford are in Japan. Joe and Sandra work at a project that aims to include some unexplained phenomena involving large amounts of energy and a partially buried huge object. The object turns out to be living, breaks much of the containment apparatus, and causes widespread tragedy. A heavier blanket of secrecy is applied. 2. Jump forward to the present. Ford is grown up, is in the US armed services, and has a wife Elle and son Sam in San Francisco. Ford gets a call from Joe, then goes to Japan to obtain him out of jail. While Ford helps out Joe, the object (a 'muto') revives, breaks this time, and flies away, leaving even more destruction and death than in years before. 3. A second, larger muto awakens in Nevada. The two mutos are tracked by the US Navy, which is now actively involved. The mutos' activity awakens Godzilla from his long slumber in the Pacific. 4. Ford and Dr. Serizawa are drawn into the military's quest to include the mutos. Elle and Sam are at risk as the three giants converge on San Francisco. **Observations** 1. Real to tradition in Godzilla movies, human activity is depicted as futile. Most human efforts versus giant creatures have no noticeable effect. The rest of our efforts catalyse the creatures to rain down more destruction on human cities and military personnel. 2. In a few of the a lot of Godzilla movies I have seen, a kid is rescued, or a trapped helpless person is released. But for each such action, thousands of human lives are lost, and tens of billions of dollars of true estate value are zeroed out. The contrast accentuates the helplessness of the human race versus forces it cannot control and never will control. 3. In a slight departure from what I'm used to in the Godzilla universe, a human being does something that will create the survival of the human race more likely. Watch the film; you can't miss it. 4. Godzilla causes a large amount of property hurt and loss of life, though not nearly as much as the mutos cause. The case could be created that Godzilla in this film, as in a lot of others, is indifferent to the fate of the human race. He does in the mutos in to obtain back to his snooze beneath the Pacific. 5. **One line summary:** Godzilla saves humanity from the mutos in an 8 min appearance. 6. Three stars of five. **Scores** 1. **Cinematography**: 8/10 Some of the SFX were cheesy, but most were fabulous. 2. **Sound**: 7/10 Few complaints. I could hear the dialog. The melody was not too irritating. 3. **Acting**: 6/10 Bryan Cranston, Ken Watanabe, Juliette Binoche, David Strathairn, and Sally Hawkins were fine in their limited roles. Aaron Taylor-Johnson's performance was both boring (beginning) and believably heroic (toward the end), so I ended up liking him. 4. **Screenplay**: 6/10 The director stayed real to the franchise, but with updated SFX and a few other adjustments. The holes in the plot, though, seemed endless.
The huge atomic lizard gets another create over. Back in 1954 Ishirô Honda introduced to the movie globe Gojira, a monster that is still today seen as viable cinematic interest. Gojira, in spite of being a man in a rubber suit creature movie, is a intelligent and feisty film. Tapping into an oppressive nuclear age via moody atmospherics, whilst simultaneously imbuing plenty of monster feature carnage, it got the balance right. The makers of Godzilla 2014 have tried to do the same, they look back fondly to the original wave, it respect, but sadly they don't quite pull it off. Plot essentially finds the globe under attack by some Kaiju (MUTO) creatures after humans hold dabbling in all things nuclear. The end is nigh, that is unless mankind can search an ally in Godzilla, an almighty prehistoric type lizard who itself is a product of some prior nuclear shenanigans. The human plot strands feature the usual secretive government suits mixing with science guys, all looking worried or running around in a fretful state. There's a father and son axis – with the son a [email protected]#$% troops guy who has a loving wife and kid back home. Characters are many, and they take up a amazing portion of the film, unfortunately very few of them are interestingly written, which is a shame given the pic is packed with acting talent. It's a two hour plus movie, with the build up being very prolonged, with Zilla not showing up till the hour mark. This renders the main creature as a bit player in its own movie, a mistake often created by others in a lot of a sequel to Honda's original. There's also the irritating fact that what all amazing Zilla films need is a shed load of creature mayhem, plenty of smack-downs, but sadly they are in short supply here and are often rendered as background staples. Until the finale that is… It takes a long time to obtain there, but thankfully saving the pic from below average hell, it's not a allow down. It thrills and opens up the eyes and ears considerably, and fans of all things Zilla will obtain goosebumps upon the arrival of the charge and breathing of nuclear fire sequence. But with that comes the annoyance that the amazing technical craft within the piece has previously been used sparingly, the decision to place bland characters at the forefront instead of cinema's most popular creature proving to be a large error. Maybe, just maybe, it's time to allow sleeping atomic lizard's lie? Or of course there's always Kong to join the fray for franchise steering purpose... 6.5/10