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Amazing PDF reader. Quick in opening PDF and smooth. I have very huge PDF medical books and it opens them fast. One problem is the absence of tabs. Please developers can you add ability to begin multiple PDFs in the viewer by implementing tabs. So that we don't have to close a PDF before we can begin another
has got to be the most difficult to maneuver ive evr used. the doc is sideways thru the cam lens & so skews the ability to obtain angle correct. only does 1 at a time; i have 4. i scanned 4. after relabling the 1st, i went to relable the 2nd, all the rest were gone. and so is this app.
no sooner than I installed this application I started seeing ads not just in the application but over facebook, messinger, chrome, everywhere. and not just one or two every once in while. they started streaming one after the other. I did not think that was permissible by Google. to circumvent other apps with ads from yours. I uninstalled it immediately. thanks for nothing but an ad generator.
I always liked using pdf pro on my ipad , but I for once I thought that this application is not because I did it with a discount in the application shop so congratulations on putting this work together and begin it on the Android device shop so much fun having the application here. It also comes with sound reader I remember doing my power point exams on pdf reader and luckily I succeeded becuase it had a built-in sound adjustbalt reader, which has alot of options for the sound, therefore it is productive application
This album is a lot more musical than their previous ones. The melody is smooth, instead of the grating electronic beats found on the earliest albums. Harris relies more on his voice then in several past albums, such as Empires and Praise the Fallen. This is probably most evident in Chrome, which was also released as a single. There are also a few instrumental songs, including Colours of Rain, Strata, Interceptor, and Lightwave. The latest three have some beautiful decent techno beats.I liked all of the songs except for Colours of Rain and Endless Skies. They were too slow for my tastes, but it's very possible that a lot of people will like these 's hard to compare this album to earlier ones, since the style changes (which isn't necessarily a poor thing). But I do think the fresh style caters better to generic techno lovers. That said, VNV Nation is electronica, and there's a significant difference between it and your primary techno/dance music.I give product 4 stars. It's not the best techno melody ever (kind of dull compared to some groups, definitely not the "dance" genre), but it's a beautiful solid album. If you like VNV Nation mainly because of their earlier sound, this album may not suit you. But in general, all techno lovers should search this to be a beautiful decent CD.
If you just wish drum n bass,that you can dance to or listen to casually,don't this! You'll probably end up finding it boring and monotonous! This items is much more than that,more perplexing,more intelligent,the patient audiophile will definitely be rewarded! This album is also kinda along the same lines as "Modus Operandi"(you definitely wanna check that out,if you like this,a definite DnB classic),precise and me of Photek's old classics are on here(finally available on CD),and some perfect remixes of those tracks as well,like "The Margin 98",very well implemented by the amazing Doc Scott(also check out "Lost In Drum and Bass"),the "Rings around Saturn(remix)" by Peshay and Decoder("Miles From Home" is defintely a MUST BUY! ),and the "UFO(remix)" by J Majik(still waiting for his full length debut! ),and the perfect remix of "The Lightening",by Digital(waiting for his album,as well! ).Needless to say,the remixes by Photek are brilliant! All his tracks have always been exceptional! On the whole,this is an perfect compilation!
This Cd sounds like an unfinished product from the melody genius, Photek. I purchased this release soon after Modus Operandi and I suggest you obtain M.O. before this one. F&F includes too much mind-numbing repetiton and lacks the exceptional sampling that it's predessor had. This is a relatively boring CD without variety. If you liked Modus though, you will like this. Tracks 5, 9,10,11,and 12 are very amazing while the remixes become boring after a couple listenings. Even though i ripped on it i do suggest this for any Photek fan!
Allow me begin off by saying that I got into the EBM/synthpop genre by method of Apoptygma Berzerk. I'm a dedicated fan of theirs, and have had difficulty transitioning into other artists that I like as much. I've been hearing a little bit of VNV here and there for years now, and I never got into them because Ronan's voice took some getting used to. He definitely has a distinctive ever, I am satisfied to report that I managed to adjust and am now a amazing fan of theirs also. This album was my "introduction" to them. I've had it looping non-stop in my vehicle for a couple of weeks is CD has become familiar and comforting to me, like an old friend. It has sustained me through some difficult periods and is melody I turn to when I am feeling though there are several purely instrumental tracks, those with lyrics demonstrate Ronan's exceptional ability to paint photos and experiences through words. "Homeward" especially has almost heart-breakingly attractive lyrics, and often is able to move me to tears.Each song on here brings me powerful feelings, and visions of locations I've never been, and deep insight into the heart and soul of a fellow wanderer through rsonal highlights include: "Chrome," for its strong beat and pulsating frustration; "Arena," for its notice of hope and grace, and its haunting chorus line; "Interceptor" and "Entropy" for utterly delicious, gritty beats that have become guilty pleasures; "Homeward" for the aforementioned lyrics and imagery; and "Perpetual," for its uplifting message."Let there always be never-ending light," indeed. It is my hope that this album brings comfort to others, as well. Hold up the amazing work, VNV.
Photek is a refreshing sound amidst a genre hellbent on using alot of rehashed sounds with poor orchestration. His albums alway seem to reach fresh territories, and Form and Function does this with a classy, easy approach. His soundscapes are structurely very complex and clinical, providing an antiseptic type approach to beat construction and quirky nuances that fill your ears with special sounds. This minimalist style allows room for each timbre of sound to hit your ears with an unusual precision, leaving you offguard for what's to come next. Choosing sounds and programming beats to make moods rather than "just to dance to," this album aurally has a lot of soothing qualities related to Stewart Walker's "Stabiles." By far one of the amazing producers of electronic music, Photek remains a real pioneer, discovering and creating his own art form without the usual influence of so a lot of others.
Don't settle for less; it's all right here. Drum N bass has met its master. I understand why a lot of people criticize Photek's similarity among his songs. But I have to say that to be a fan of Photek you have to be willing to place in the time to dissect and listen to each track. Minimal, yes; boring or repetitive, no.
First star off: no Ni Ten Ichi Ryu. This wasn't even on Modus Operandi, and it isn't here either!Second star off: not enough other true classics included, some that everyone needs to hear. e.g. Into The 90s and The Rain. Instead choosing to contain the overly-repetitive Water Margin (the remix is a amazing one though), and the tacky UFO (these days, those sighting samples don't even sound quaint - they're embarrassing).But despite that, included here is the staggering Parkes hat-trick: Rings Around Saturn, his own remix of Seventh Samurai (making the original sound very VERY lacking by comparison - just a Ni Ten rip-off, in fact), and the totally, totally devastating Peshay and Decoder remix of (again) Rings Around ntiago gets beautiful close just by having the single greatest use of handclaps in a d&b tune, and Knitevision proves that Parkes is the only man who can create 7 mins of - beautiful much - only drums, sound row in a couple more sorta-decent remixes, and there you go, you have Form & Function (although we could do without the remix of UFO - no disrespek to J Majik, it's not really his mixing, but the track that I dislike). Starting off very well but faltering from beginning to end between amazing and dodgy tracks. 3 out of 5 it the most I can give it. Grab Risk versus Reward (for the stunning Ni Ten Ichi Ryu) first, then pick up Modus Operandi. Only come here if you thoroughly loved both.
Puts "intelligent" in smart drum & bass. Not for those with short attention spans. Particularlly amazing is J-Majik's remix of "U.F.O" with its sci-fi samples and ever-changing time signatures. I can see why it takes this guy months to complete a track. If you like to think while you listen, you owe it to yourself to check this one out!
"Form and Function" is a unbelievable drum and bass production brought to you by Rupert Parkes, aka Photek. Overall it is a very crafty minimal album. Photek experiments with slight rhythmic alterations of his breakbeats that most artists hardly ever tackle. The basslines are short, deep, strong engines to the frantic skittery breakbeats. Very small sampling is used very cleverly and affectively, whether it is the gongs and clashing swords on "The Seven Samurai" or the light, melodic atmosphere implamented on "Rings Around Saturn". This is one of the finest drum and bass albums to date.
Sharp, crisp, dark -- Photek's FORM & FUNCTION strikes like a ninja in the night, leaving your ears to wonder, 'What was that?' And while the tracks here aren't as experimental -- his mix of "Resolution" only has brief moments of the iciness amongst more conventional sounds -- it does showcase his technical skills. "Knitevision" and "UFO" have a tip of menace, while "Santiago" puts some rhythm guitar and funk horns to go with the bass. "The Seven Samurai" adds some Asian flair, and his own mix of that same track sounds like the accompaniment for a war stage that should have existed in the film itself. The jazz touches of "Rings Around Saturn" support that track achieve a state of bliss. On the remixes, Digital makes "The Lightening" more... well, digital, and Doc Scott turns "The Margin '98" into a looped frenzy while J Majik introduces some more melodic elements into "UFO." Though the outside mixers are strong, I think Photek stands just as well by himself.
I bought this CD soon after I bought Modus Operandi. And I would have to say Form & Function was a disappointment, but after listening to Modus Operandi, anything is a disappointment. I suggest you stay away from this alnum until you listen to M.O. because of the overbearing mechanical precison of this album leaves you feeling dry. Too much uniformity can be a poor thing if it's not backed up with enough dozens of sampling. This CD does not have much listening life to it unlike it's exceptional predecessor: Modu Operandi. Form & Funcion was amazing but could have been a lot better. It just doesn't sound complete, almost as it was released by Photek unfinshed.
From Wikipedia:"Their 2005 album, Matter + Form, expanded on the soundscape established with Futureperfect. Notable for this harder-edged sound was the first single "Chrome". Also of note is the lack of effects applied to the vocals, a departure from previous albums, which allows Harris' voice more zone in the mix. There were also several songs with a softer and more pensive theme. Some songs even had a slight "rock" feeling to them, mostly from how drum sequences and bass lines were arranged, the most obvious example being the final song, "Perpetual". The assortment of instruments used in the production was much larger than on previous albums and everything from the Access Virus to a custom-made analogue modular synthesizer and several synthesizers were used. This album was also the first time the band used an outside producer."From me:I love it! Particularly amazing for driving and the single "Chrome" is just as captivating now as it was back in 2005. This is one of those albums you can play from begin to finish without skipping, and then allow it repeat itself once more.
Matter + Form has a sound that could have been from from ten years earlier- sounds much like synths from an earlier era, and has a amazing dance-able vibe to it. I have a stereo in almost every room in my house; in my Melody Lab, a pair of Klipsch Heresy speakers for superb sound quality; in my bedroom, a pair of Klipsch bookshelf speakers with wonderful bass; in my living room, a system with twin 12" woofer- I like to play this album loudly!
I wish to like this book. The characters seem to be intelligent and developed well, but it is a hard book to read. I'm not sure why the author picked the formatting style that she did, because it makes it hard to tell which hero is talking, and it messes up the flow of the story. Admittedly I'm not even halfway through the book, but that's mainly because the format is giving me a headache, so I have to stop reading, even though I'm enjoying the story.
I wrote a review for her other book, Love Relived, and the lack of hero development and hoping it was better in this book and I'm happy to say that it was very much so. She connected the characters to the audience after fully developing who they were and what the audience required to feel about them. It was a amazing story and I'd read this authors work again.
Straightforward, fast, and simple to use. I appreciate being able to sign documents using my finger, although I'm rocking a note 8 with a stylus, it's always been a major pain to obtain documents signed on your tablet or tablet. This seem to obtain the job done without shoving ads in my face and slowing down my phone. That's something I can endorse.