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It's literally just a clipboard. It doesn't do anything that can't already be done by just typing and then using copy paste. If you need a mass text app or mass spam app (I use them to spam text scammers), this isn't what you need. I have no idea what the purpose of this app is, tbh, bc again, it doesn't do anything you can't already do with any phone right out the box. 🤷🏿
Film noir and The Twilight Zone have more in common than you'd probably think. B-movie actors from the 40s peppered the casts of Twilight Zone episodes almost 20 years later. Dutch angles magnify tension; and other impressive black and white photography (at least before the Twilight Zone started to shoot on video late in the series) on the CBS show could easily be mistaken for a classic noir. Watch the credits at the end of a TZ and you'll see many names sometimes associated with film noir: Harry J. Wild, Joseph LaShelle, John Brahm, Richard Florey to name a few. Of course the fantasy/sci-fi element of the Twilight Zone are usually not found in noirs. The exceptions being Val Lewton's RKO horror films and the New Years Eve thriller, Repeat Performance. Repeat Performance was released in 1947 by Eagle-Lion films who at the time were trying to establish themselves as a major force in Hollywood. They put out some “nervous As” – not cheap enough to be Bs but not expensive enough to be As. Repeat Performance fits that description. Clunky and far-too-dramatic opening credits leads to a classic noir open, then a cheapish looking movie filled with former stars (Louis Hayward) and actors just starting out (Richard Basehart in his first film roll.) Repeat Performance may be a bit too full of soapy dramatics to be a top-shelf noir, but it certainly could be served to noir fans without complaint. The fantastic looking – dark and stylish – opening and end of the film more than make up for the frothy middle – and for me makes the film a worthy entry in the film noir classic period. Despite its obvious flaws – and it really is probably only loved by fans of old black-and-white mysteries --it's one of my favorite New Years Eve tales. Encore! Just before midnight on New Year's Eve, 1946, Broadway actress Sheila Page (Joan Leslie) shoots her husband Barney (Hayward) and then rushes to see her friend, odd-ball poet William Williams. After a distressed Sheila confesses her deed to William (Basehart), he suggests they talk to Sheila's producer John Friday (Tom Conway). As Sheila and William are walking up to John's apartment, Sheila wishes that she could relive the past year, insisting that if she had it to do over, she would not make the same mistakes twice. Upon reaching John's door, Sheila notices that William has disappeared and then gradually realizes that something is wrong. An unnecessary voice over explains what is obvious to the viewer. Her hair and clothes have changed and she's been transported to an earlier time – exactly a year before. She has one year to make up for the mistakes she made leading up to her crime. The “voice over” is a common element found in film noir. But in this case it sounds much more like the Rod Sterling TZ introductions than a typical film noir Mitchum-esque V.O. The film is based on a book by William O'Farrell. O'Farrell doesn't seem to have many other books after this, his first. Published in 1942, the book is something. Over at the Mystery File, Dan Stumpf writes, “O’Farrell can write. He can put across a @#$%!y theatrical milieu and a seedy flophouse with equal aplomb, evoke a desperate chase and a disparate seduction with commensurate suspense, and weave a tale of murder and melodrama (verging on Soap Opera at times, but teetering skillfully on the edge) with prose that keeps the pages turning very nicely.” There are many changes from the book (which is wonderfully bleak) and the movie. Barney is the actor that goes back in time, not Sheila. Barney begins the novel as a flop-house drunk after shooting his girlfriend following the suicide of his wife Sheila. When on the run from cops, Barney and William and Mary (a man in the book that Basehart smartly hinted at in the movie) get shot at by the cops leading to the magical happenings. The scene is so cinematic I'm a bit surprised they didn't find a way to shoe-horn it into the film. And although it is soapy, O'Farrell's novel concludes more satisfactory than most thrillers. A good read if you can find it. O'Farrell's book was his only one to gain any attention. His movie and TV credits are slim too – he did write an episode of Alfred Hith Presents. Repeat Performance was remade into a 1980s TV movie (with Joan Leslie in a small part). The cast of the '47 film includes Louis Hayward. Hayward's career wasn't what it was just a few years before, but he did make some interesting choices. He was best friends with Edgar G. Ulmer and appeared in Ulmer's Citizen-Kane-of-B-noir drama Ruthless in 1948. 1950 he starred in one of Fritz Lang's last US productions House By the River. Ladies in Retirement, And Then There Were None and Strange Woman all were released around the same time as Repeat Performance. Tom Conway is a favorite. In addition to Cat People and the 7th Victim he was The Falcon in that long running mystery series (replacing brother George Sanders who got bored with the part. Similarly, Sanders replaced Hayward as The Saint in the movie series that The Falcon was most likely based on.) Joan Leslie - so good in High Sierra - isn't as strong as her Repeat Performance co-stars but she gets the job done. Not an easy task when you consider how outrageous the story gets. Finally, Richard Basehart captures the book's “William and Mary” part without being obvious about it. I know most remember Basehart from TV's Voyage to the Bottom of the Sea and the voice of the 1984 Olympics but his contributions to film noir is impressive. The next year Basehart would star in the unforgettable He Walked by Night. His other noir credits include the period film Reign of Terror, Tension, Outside the Wall, Fourteen Hours, The House on Telegraph Hill, and the Brit noir The Good Die Young. Submitted for your consideration: 1947's Repeat Performance. Repeated viewing encouraged... in the Twilight Zone. Written by Steve-O
AB Repeat Player 3.7.6 is absolutely fantastic, atleast for my needs ! But this new version to Me... is a piece of garbage !!!! All I need a player to do is to a-b repeat/Loop and to be able to program the player to either play a single song continuously or in order ! Unfortunately on this latest version it does not do the ab repeat/Loop and it does not play a single song continuously ! If you attempt these functions the player will start malfunctioning! Delete this garbage and download 3.7.6 !
The latest releases have broken repeat. Hangs at restart of song. Yesterday, it also would hang sometimes when repeating a segment, but I haven't seen that after today's update. I tried to use the support web link to provide feedback, but that seems to be down for maintenance (still). Is there another way? I've donated to this app and would like to continue using it. I'd also like to add the speed control upgrade, but not with this current broken state. Also please fix your support link so I don't have to use a review for feedback. Auto repeat hangs since the beginning of Feb. The support site is still in "maintenance". Goodbye AB, I've switched to Audipo.
charged me twice? No idea why it charged me, just that I apparently USED a function that is reserved for paid users? No info. on what the app is charging for! THE crooks are getting smarter and Google appears to care less about the customer and more about collecting fees.