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I am a children's book collector. My family loves books. We read several children's books virtually every day. I bought this book for my children, as we are studying Australia in first grade. I must say, I do not in any method understand the amazing reviews. The only reason that I did not give it one star is because the art work is good. The book itself is BORING. Each two page fold gives info on a child, their age, the people who live in the home, and a map of the neighborhood. The book gives very small info about Australian culture. By the time we read about the second child, my children asked if we could quit reading it. To be honest, that was my desire as well. We kept reading and it didn't obtain more interesting. It is worth noting that I could count on one hand the books my kids didn't like. Moreover, history and culture tend to be our favorite children's book topics. I am tossing this book in my garage pile. I am surprised that the reviews of this book are so good.
Believe me, I did not have to force myself to listen to Payton's Put over and over again when I first purchased it, because it was always a pleasure to hear. Whereas some trumpeters always seem to be forcing things, Payton just puts his horn to his lips and blows, and the melody just flows out. The first cut, a Payton original titled "Zigaboogaloo," sets the tone, building on tradition but at the same time sounding new and modern. The primary group consists of Payton on trumpet, Tim Warfield on tenor sax, Anthony Wonsey on piano, Reuben Rogers on bass, and Adonis Rose on drums, augmented by Roy Hargrove and Wynton Marsalis on trumpet on a few cuts (all three trumpeters playing together on the aptly titled, "The Three Trumpeters") and Joshua Redman on tenor sax on one cut. Sound quality is very good, maybe just a small on the side, and overall, this is a truly perfect recording by one of our most promising--and most delivering--young trumpeters.
I have listened to this CD tons of times, and each time Mr. Payton amazes me even more. The issue is, however, I don't think his supporting cast is that good. I really have fun listening to A Touch of Silver with Joshua Redman and the Three Trumpeters, but I'm not a large fan of Tim Warfield or Anthony Wonsey. Bottom line, Payton's playing is awesome, but I want he played with a various tenor and pianist.
Those who've been misled into thinking "contemporary" jazz has to be that bland, backgroundy "smooth jazz" of the canned stations using that term--welcome to the globe of REAL contemporary jazz! Nicholas Payton's Clifford-Brown-inspired trumpet playing--plus his kicking, sometimes funky, originals--will give the serious jazz listener plenty of excitement--musical excitement that is. And when he jams with the likes of giants Roy Hargrove and Wynton Marsalis in "The Three Trumpeters," he more than holds his e band's style fits the "hard-bop" appellation for the most part, but there's plenty that's fresh and interesting--especially the very first cut, called "Zigaboogaloo." There are nods to two of the amazing figures of the Twentieth Century: "Brownie a la Mode" (trumpeter Clifford Brown) and "A Touch of Silver" (pianist Horace Silver). Then there is the teasingly playful "People Create The Globe Go Round," that may remind you of something sung by Bobby McFerin. There are a couple of slower cuts I sometimes skip over (only because I prefer up-tempo stuff), but the rest of the album is is is one of a lot of contemporary albums I can enthusiastically recommend--even to moldy-fig types who think nothing really amazing has come out of the younger generation of players.
i would like to answer to the reviewer who gave this book two stars -- I am also a children's book collector and have a houseful of books and readers. I loved this book and as I was reading it for the first time, my 24 year old son came by and was reading over my shoulder and asked if he could borrow it. We both enjoyed the maps--watching locations of city change from decade to decade, and the mentions of the people -- making connections between their relationships . . .it is not your typical "story" book, but as someone who grew up in a house built by my great-grandfather, it was fascinating to ponder the people and the threads that tied their history together, and to hear the story of The Place. It is a thoughtful and thought-provoking book.
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I was surprised by how much I ended up liking this album. I'm usually a bit skeptical of newer jazz artists, particularly the ones who populate the contemporary jazz charts. All too often, the melody sounds "nice" but not really that striking or original.But this 1998 recording by Nicholas Payton created a very powerful and favorable impression with me. I think it sounds remarkably like some of the amazing jazz albums that Blue Note place out in the 1960s. That same sort of swing and style. Okay, maybe Payton is not the master of originality, but it sounds like he's been influenced by all the right players, and there is true energy and emotion in these instrumental compositions, most of them Payton originals.Every time I play this album I marvel at the glorious throwback vibe in the music. Joyous jazz indeed!
I love this song, I play Support Us To Love on repeat every night. It needs to be America 'a fresh National Anthem! We all need to learn to love all the method Christ loves us then there would be no divide! Everything is valued except for human life. We were a country founded on In God We Trust and are so filled with divide! Lord support us to LOVE the method YOU LOVE us!
A 1001 Put depicts a neighborhood in Australia and its changes over time. Wheatley starts with show day (or, rather, what was show day when the book was first published) and moves back ten years for each two page spread. I, like most Americans, know absolutely nothing about the globe outside the U.S. of A. so almost all the historical happenings depicted in this book were fresh to me. I enjoyed that. I enjoyed taking a little trip through a little part of Australia with Wheatley and Rawlins. Well done.
I use this book in class rooms all over the place, from 6 year olds to 12 year olds. I am currently planning a 10 week program of literature and art around this book for 10 year olds. The older children appreciate the things that the younger children don't pick up on,eg: family relationships between various characters at various times. It a amazing jump begin to talking about Multiculturalism in Australia and how this came about, where the various nationalities came from and why. Discussions about battle are also valid. I am using it to focus the children on their place, physically and metaphorically, we will be creating our own maps and writing to go with them. We are then going to 'publish' them in our own book and keep an exhibition of the original art works in conjunction with their completed page and the completed book.
Payton is one of the few modern players who is able to move the structure of his melody forward without losing the traditions, and perhaps more importantly - the quality, of giants from the bebop and cool eras. Concentric circles is a amazing piece of work in the tradition of Miles and Adderly. Why more modern stars don't search the symbiosis between old and fresh that Payton does is a mystery, but thankfully Payton should be around for quite some time. The issue in rating jazz albums, is that when viewed versus the whole set of works from legendary artists - this album merits only a three. When compared versus any of the over-electrified, synthesized and souless newcomers who are Payton's peer group - he deserves a FIVE.
I just happened to think of Tori and wanted to search some melody of hers to download. I saw a video with her and Kirk Franklin and the song was beautiful. So I downloaded the album. I was so blown away that I purchased it! This entire album is great. If you love God, this is a CD you should definitely purchase. My favorite song is Sunday. Thank you Tori for this attractive masterpiece.
This book came out in 1988 during Australia's bicentennial of the European invasion of Australia. It shares a title with a book by Sally Morgan, an Aboriginal women whose find for her own identity and put was published at the same time. This book can be read in either direction. For younger children, it may be easier to begin at then end an move forwards. For older children, part of the fun is in uncovering the history of the put - an inner urban zone of e book emphasises the timeless continuity of the place, and that even though we might be the temporary custodians of a piece of land, we share a common history and linkage through our humanity, and our Aboriginal history. Lushly illustrated by Donna Rawlins, and words by Nadia Wheatley. A valuable asset to any school library, basic or secondary, and public library, as well as the shelves at son first showed interest in t at about age 4, and has returned to it periodically since - ie over 2 years. It will stay with him for a lot of years yet!
This album is hot. Sizzling! This is Payton's 3rd album as leader of his band...pianist Anthony Wonsey, drummer Adonis Rose, bassist Reuben Rogers, and sax player Tim Warfield. On "The Three Trumpeteers" Nicholas is joined by Wynton Marsalis and Roy Hargrove for a swinging time. And Joshua Redman joins in on "A Touch of Silver" Nine of the eleven tracks were written by Payton, showing he can write just as well as he can play. He says in the liner notes that he wanted to take some chances on this record, give it a loose feel, like on some of Mile's records, and to present that jazz can be a lot of fun. Well I think he has succeeded very nicely on this album.
It's a gospel album. I wasn't aware of that but I love Tori and love gospel melody so it worked. It was a really short album which is why I gave it 4 stars instead of 5. Wouldn't be my first choice for a gospel album. I def would have rathered listen to a Kirk Franklin or Yolanda Adams album for a amazing gospel album. This wasn't it for me.
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